Dangdut koplo subgenre of Dangdut music

Dangdut is the most popular music community in Indonesia, ranging from the rich to the community can not afford troops to dangdut music. Dangdut also has many kinds. Now I will discuss the subgenre of the dangdut music Remix. Remix and more frequently is usually enjoyed by the people heard the poor.

Remix is a subgenre of dangdut music, look at the composition of the rhythm of the music, Remix beat'nya usually faster when compared with conventional dangdut songs. Remix is believed to start developments on the north coast of Java island. Northern coast is a center of trade, fishing and sailing between islands is quite busy, with a fairly dense masyarakatatnya activities would require an inexpensive entertainment rakyak.

Departure of the reasons why birth vary with different melayu orchestra - kind of a name that has begun to develop his name. The presence of even this Malay orchestras immediately received a warm response from masyarakt pantura, the community held a party without inviting pantura melayu orchestra as well as missing pieces.

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Dangdut music developed in the United

Music is now beginning to develop in the United States. Through events called dangdut In America, headed NSR Productions in the United States, dangdut music is expected to be popular among the citizens of the United States.
According to the owner of the NSR Productions, Rissa Asnan, dangdut In the event of America is a musical program presented by the American people through the auditions of the American public and the training conducted in the United States. Rissa explain, but aims to introduce and popularize dangdut in America.
According to Rissa, dangdut In America program is a project early in the NSR program dangdut music popularized in the United States. In the United States, the event has been covered by various media, including Voice Of America (VOA) and aired on public broadcasting in the United States. "Dangdut music in America today is still not widely known. However, the emergence of this program there has received considerable attention from the American people, "said Indonesian citizen who lived in America since 1989.
This event was attended by 50 participants from different areas of the United States, like New Jersey, Philadelphia, New York, Washington DC, Los Angeles, San Diego, and others."The participants in addition to the American people there who come from various nations, such as Korea and Japan. All foreign nationals in the United States may audition for this except the people of Indonesia, because the later is not fair, "he said.
Participants who pass the audition, will be offered to choose one of the ten songs dangdut which have been translated in English. Once they choose a song, the judge will give the song texts have been translated in the Indonesian language to learn."We deliberately told them to choose 10 songs in English, so they know the meaning of the song they would sing, so they can live them. Afterwards they learned in teaching that we provide how to sing that song in Indonesian, "he explained. Rissa said, of the ten songs dangdut offered, some of which is a song called Hello Dangdut (Rhoma Irama), Only One (Ayu Soraya), Teka Teki Love (Thomas Djorghi) and Theatre Love (Thomas Djorghi).
Auditions will be conducted again in October in New York. Twelve contestants are selected but will be trained in Indonesian dangdut singing, rocking, and will also be trained in twisted dangdut. "Then in early 2008, the 12 contestants will be coming to Indonesia for the following spectacular round. In this round they will collaborate with artists dangdut Indonesia. Indonesia singer will singdangdut in English, while the contestants will sing dangdut in the Indonesian language. The next six-person jury will choose the best among them, ".
NSR is the owner of hope, one day there will be a music producer who is interested in making albums for the contestants who came out as winners. For that, he was hopeful of support from the musicians homeland. "But successful or not, one day I will make a documentary about this cultural exchange program,".

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Indonesia dangdut artist

A typical music dangdut music and was born in Indonesia, the names of Indonesian dangdut artist are now more and more, with different styles and sounds. Now dangdut music lovers not just limited to citizens of Indonesia, even for uncle sam country, the United States increasingly popular dangdut music.

If the era 80-90  dangdut artist names such as rhythm, known as the king of dangdut and Elvy Sukaesih, as the queen of dangdut songs dangut rule, and not less behind the name of the artist's name dangdut Indonesia as Mansyur S, Husein Bawafie, Munif Bahaswan helped enliven dangdut music scene in that era.

Now, with increasingly fierce competition especially in the category of music dangut, making the most of Indonesia dangdut artist name to find their characteristics not only in terms of noise, in terms of movement they now vying to be different.

But still the music dangdut dangdut music, the hallmark of sound (twisted) and the harmonization of capital is still the primary tone and character that made ​​the dangdut music heard by the faithful dangdut music lovers.

Here is the name of Indonesian dangdut artist of the man who remains a legend:
 
Rhoma Irama
Mansyur S
Arafik
Meggie Z
Hamdan Att
Mukhsin Alatas
Tahar Hasnah
Munif Bahaswan
Mukhsin Alatas
Herlina Effendi
Caca Handhika
Yus Yunus

Here is the name of Indonesian dangdut artist of the women who remained a legend:
Evie Tamala
Elvie Sukaesih
ikke Nurjanah
Itje Tresnawati
Inul
Rita Sugiarto
Camelia Malik
Ida Laila
Iyeth Bustami
Itje Tresnawaty
Kristina
Iis Dahlia

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Some type of dangdut music

Here are some types of dangdut music that developed in Indonesia,
first:
Malay dangdut Deli
Around the year 1950-1960, the Malay music Deli epidemic in Jakarta which then affected elements of Indian music which later became the forerunner of dangdut music.
Number of figures of this kind of music, among others, Said Effendi with his song Seroja, Indoku wage earner with a song that was created by India Dolls Bawafie Hussein, with his song Wailing M.Mashabi Stepchildren, Ida Laila, Munif Bahasuan and P.Ramlee.

second:
Rock dangdut
Around the 70's, Indonesia was hit by a rock music from the West.
It encourages artists to dangdut music could still exist with the following changes in public taste without losing the essential elements of dangdut music. Born Sonnet Group led Rhoma Irama.
Development of this kind of music, inevitably raises competition with rock music rock music from the outside and from within the country.
With the tremendous hard work, finally dangdut rock music is capable of parallel with rock music in the country, be it rock from outside and from within.

fourth:
Dangdut Reggae, Rap-Dut, dangdut Mandarin, and Cha-Dut
Around the 90's, Indonesia back hit music from abroad namely Reggae, Hip Hop, and Mandarin.
And once again, dangdut show kefleksibelannya melt streams with new music without losing the original elements of dangdut music.
Aiphama Rama appeared, dressed typical eccentric Reggae is booming with song Fatwa poet who is Malay songs that are recycled with a touch of Reggae. In addition Aiphama Rama, appears also that the name Farid Harja booming with the song This Love and Chicken. There is also Yopie Simalakama Latul with the hits.
Then Abiem Ngesti, the 'Prince of dangdut' is booming with songs that incorporate elements Baliku girl rap in his song
There is also Anis Marsela and Merry Andani mandarin element that carries the dangdut song is sung, like the honey, which was sung by the Separation Wall Anis Marsela or sung by Merry Andani.
In these years, dangdut music has many influences outside elements, some artists and some even include elements of Cha-Cha, so there is flow dangdut or Cha Cha Cha-dut.
In addition, there are also names that create Fazal Dath dangdut songs that mix elements of modern India with the hits I was not sung by Hetty Soendjaya dish.
There is also a coffee with the hits Fahmy Shahab dangdut which dominated much of the Arab element in this song.
Besides dangdut music which is mixed with elements of other types of music, many artists also exists with dangdut dangdut songs are original with no outside influences.
Mention the name Evie Tamala, Elvy Sukaesih, Rita Sugiarto, Ine Cynthia, Imam S.Arifin, Meggy.Z, Hamdan ATT, Itje Trisnawati, ikke Nurjannah, Camelia Malik, iis Dahlia and others with a single-single dangdut is no less booming with dangdut songs with a mix of other musical elements.
Besides the solo singers, pop vocal groups are the terinpirasi from outside groups such as vocal, Boyzone or Spice Girl.
Comes the name Manis Manja Group, BAM Trio, Trio Sakera, Sekar Sky and others.

Then, Jason also participated in the coloring Ethnic dangdut music in those years, call the name of the element Sunda Contribute Doel, who hits with the song If The Moon By that brought together her duet partner, Nini Karlina.
There is also the name of the Yunus Yus Madura incorporate ethnic elements in his song titled Red Hand Sweep.
Disco Dangdut, Jason Mix and Remix
Entering the late '90s, dangdut music again penetrated other genres of music, the disco.
Disco dangdut emerged that carries the name of Ade Irma with the hits beetle-beetle, Ratna Anjani with the hits Padang Bulan who had previously also scored hits and performed by ikke Nurjannah.
Dangdut mix, so named because of the songs contained in various kinds of musical elements.
Call Engineering Love songs sung by Camelia Malik, or let Moaning Sugiarto sung by Rita, which contains elements of Latin.

In a further development, came the House Dangdut, led by Amri Neneng Anjarwati and Palu. They recycle dangdut songs ever hits and then mixing it with elements of house music.
Around the year 2002, Indonesia shocked by the emergence of Inul, singer Pasuruan, a controversy with his rocking ngebor. The songs sung, the music dangdutnya arranged in such a way with a variety of drum sounds that are not only and dut dang and tends to beat faster. Remix comes the name because it makes all who hear beatnya want to shake like crazy.
Actually this kind of music is endemic in the area of ​​East Java before, where there are often held dangdut music performance with the real arrangement Remix interest community to participate sway to the beat to this song.

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What is Dagdut?

Dangdut is one of the genre of art music which originated from the Malay and growing in Indonesia. This musical form rooted in the Malay music in the 1940s. Influence of dangdut music elements Indiadan Arab (the twisted and harmonization).

The name "dangdut" is itself a sound game onomatope of tabla (drum called dangdut in the world of course) and is dominated by the distinctive sound and ndut dang. The name is actually a cynical title in a magazine article the early 1970s to form the Malay music is very popular among the working class at that time.


Malay orchestra (commonly abbreviated OM, which is still commonly used term for a group of dangdut music) the original use of musical instruments like acoustic guitar, accordion, tambourine, harp, and flute, and even a gong. In the 1950s and the 1960s many developing Malay orchestras in Jakarta that plays songs from Sumatra Deli Malay (around Medan). At this time the experiment began to enter the entry of Indian elements in the Malay music. Development of world cinema at the time and anti-Western politics of President Sukarno into fertilizer for these groups. It can be noted from the names of P. Ramlee (from Malaya), Said Effendi (the song Lotus), Indoku (the style of the stage as dancers India), Husein Bawafie doll creator of India, Munif Bahaswan, and M. Mashabi (creator of the film score "Wailing Stepchildren" is very popular in the 1970's).

Musical style of this period still survive until the 1970s, although at that time major changes occurred in the Malay music scene that was driven by Sonnet Group leader Rhoma Irama. Some names from the 1970's that can be called is Mansyur S., Ida Laila, A. Rafiq, and Muchsin Alatas. Malay popular music can be seen from the exit of some Malay pop album by pop group Koes Plus in his prime.

Modern dangdut, which flourished in the early 1970's in line with Indonesia's political culture that is friendly to the West, include musical instruments such Western modern electric guitar, electric organ, percussion, trumpet, saxophone, oboe, and others to increase the variation creativity as a musician and land-musicians. Mandolin is also entered as an important element. Effect of rock (especially the guitar) is very thick felt on the dangdut music. The 1970s were the scene of 'battle' for dangdut music and rock music in the music market took Indonesia, to have held concerts 'duel' between Sonnet Group and God Bless. Practically from the time of this Malay music has changed, including the pattern of musical business.

At the end of the decade half of the 1970's is also developing variations "dangdut humor" that was driven by OM petromaks Arc of Light (PSP). This orchestra, which departs from the style of music melayu deli, helping disseminate dangdut among students. This subgenre forwarded, for example, by OM Introduction to Supply Poisons (PMR) and, in the early 2000's, the Nation of Hope Youth Orchestra (PHB).
Indonesian dangdut music continued success.

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History of dangdut

Is a typical Malay dangdut music, dangdut itself has a long history before becoming the identity of the original music of Indonesia. Popularity of dangdut music competition had occurred in Malaysia.



Munif is one of the maestro Bahasuan dangdut Indonesia, revealed in the 1940s had a lot of music that was born smelling dangdut, but has not called dangdut music., Munif My horse track called Run, sung A Harris in 1953, as one of the pioneers of rhythm song this was later called dangdut. The reason, the song had the courage to enter India-style drum sound in the orchestra which was originally only using guitar, harmonium, bass and mandolin.


Popularity P Ramlee, Malaysian singer who claimed descent from Aceh, Malays to move music mecca of the country. Through You Like a moon song and Azizah, P Ramlee unparalleled triumphs. Moreover, after which he also starred in several movies. Its popularity in Indonesia even more fertile. All the smells Ramlee become a trend.

But, in the 1960s, there was Said Effendi, who managed to restore the supremacy of the Malay rhythms from Malaysia to Indonesia. Rate through the song's Ark, Said Effendi put myself as a singer the topnotch rhythm Malay country. He pushed the popularity of P Ramlee.

Said Effendi has popular songs created by itself, like the Ark of pace, buckle, buckle, and the Fatwa poet, as well as songs by other people, for example, last night in Malaysia (Syaiful Bahri) and on the verge of evening (Ismail Marzuki).

Said Effendi fame increasingly intolerable, when he came up with the song Lotus works Bawafie Hussein. Seroja successful appeal to the director Nawi menokohkan Said Ismail Effendi into the film with the same title. After that, the director Asrul Sani Said Effendi was interesting to make the cut in seven films Serambut Titian.

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